“Every move you make starts with your heart,
and that’s in rhythm
or
you’re in trouble.”
Sugar Ray Robinson
“Every move you make starts with your heart,
and that’s in rhythm
or
you’re in trouble.”
Sugar Ray Robinson
“What we do
comes out of
who
we believe we are.”
Rob Bell
"To avoid criticism
do nothing,
say nothing,
be nothing."
Elbert Hubbard
“When you come out of the storm, you won’t be
the same person
who walked in. That’s what this storm’s all about.”
Haruki Murakami
“I did then what I knew how to do.
Now that I know better, I do better.”
Maya Angelou
May the road rise up to meet you.
May the wind be always at your back.
May the sun shine warm upon your face.
Irish blessing
“You only live once,
but if you do it right
once is enough.”
Mae West
“The only thing we can do is
honestly
learn from our falls.”
Ai Weiwei
“There is always something spiritual
about the approach of winter.
You retire into your innermost chambers and camp
near the small glow
you find there.”
Paul Klee
“What lies behind us and what lies before us are tiny matters,
compared to what lies within us.”
Ralph Waldo Emerson
“Listen, all who live in the land.
Has anything like this ever happened in your days or in the days of your ancestors?”
Joel 1:2b
“You do not need to understand electricity to use it.”
Julia Cameron
I've taken some time to rest this summer.
Sometimes that's easy. I just finished the first season of The Great British Baking Show and loved every second. I've read an amazing amount this summer, though perhaps that's normal.
I've also spent some time in silence.
And of course, I've spent time working through old projects, like this one.
These aren't summer pictures :) I haven't made time to edit my backlog in months, so these are actually from a February walk in the woods.
That was another time of rest, and silence. So it feels right to reconnect with these images in this new season.
Here's to the next steps down the path.
Cheers,
Charity
Just a few more for your enjoyment :)
How about a few more to fill out your weekend?
Cheers,
Charity
I owe you an update - here's a few new items from the backlog, with many more to come. Stay turned for more later this summer!
You've spent a lot of time with your old camera, but everything was auto. Now you have a dSLR in your hands, and the options are overwhelming. You want to use M (Manual), but isn't there a way to baby step into it? Yes.
1. Aperture
You can start your transition with A (Aperture priority) or S (Shutter priority). Aperture controls how big the hole is that lets light into your camera. Bigger number, smaller hole (think of it as a fraction, and the number you see is the denominator). So an aperture of 5.6 is letting in lots of light, and an aperture of 36 is letting in only a tiny bit of light. Bonus - aperture also controls your depth of field. Do you want ALL THE THINGS to be in focus, #anseladams? You need a bigger number. Do you want only one thing in focus, #portraits? Get a smaller number and prep for pretty bokeh in the background.
2. Shutter
Maybe you don't care about depth of field. What you care about is capturing motion, and shutter speed is your tool of choice. Cool. Larger numbers mean faster shutter speed - 500 means 1/500th of a second. Are you looking to purposefully blur your images, #aftermyownheart? Slow your shutter to 1/10 or slower. I've used 10 second exposures on the highway (I wasn't driving, promise), 1/3 second for koi splashing around, and 1 second for walking texture images. Play!
3. ISO
High ISOs mean noise in your image, so I aim for super low ISOs (400 or less). If you've set your ISO to auto, check your images every so often to see what you're getting. If your ISO is over 400, give your images more light to get that number lower.
With me so far? Good. A few more:
4. Focus
I use auto-focus as much as possible. What if your camera wants to focus on the center of your viewfinder, and you want to focus on something in the corner? Move your corner subject to the center, press the shutter halfway to focus, then move the subject back where you want it and press the rest of the way. That should keep the object of your desire focused. Want to focus on something super close, and your camera is just obsessing about the background? Try manual focus. If that doesn't work, you might just be closer than your lens is capable of focusing. Move your feet to fix that.
5. Watch Your Borders
Borders can separate a decent image from a good image. If you've found something worth shooting, check the image after you shoot, and let your eye circle the border edges. Is there anything distracting? A bright spot, a dark spot, a smudge - anything that distracts from your subject? If so, reshoot the image to remove that. (Or worst case, remove in post-processing.)
6. Light
Where is your light source? In front of you, giving you a backlit subject? Behind you, giving you a front-lit (#boring) subject? Straight to the side? You can do a lot with light - do it on purpose.
7. Composition.
Remember the rule of thirds, then remember that rules are meant to be broken. (But don't think you can break a rule you never learned as well as someone who learned the rule then broke it.) Look for triangles, patterns, and don't decapitate.
What's most helpful to you?
A few of you have asked how I name my pieces. Just kidding - no one has asked, but I think it's pretty interesting. So let's go!
Lila I have to start my saying I've been pining after these stones for weeks before I found and purchased them. Wouldn't mind if they were a bit more saturated, but in this case, it works really well to let the garnet be saturated and let the glass just chill in the background. To name these, I typed "purple" into google translate and did my normal strategy - clicked to a random language translation. Who knew? "Lila" means "purple" in Filipino.
Viola You guessed it - "viola" means "violet" in Italian :) I love the tropical colors in this pair, including my favorite shade of chartreusy green. Can you smell the summer breeze yet?
Kima I'll be honest, I don't write down my methods, so I'm literally piecing together memories as I write this post. I remember starting with "goldfish" on this one, because the large glass bead looks like a fishbowl with an ornate goldfish inside. And yes - when you translate "goldfish" into Amharic, you get ወርቅማ ዓሣ which sounds like werik'ima asa. And I liked the "kima" part :)
Pilar No translation story for these guys - it's more the matching color palette and personality of these hoops and the name "Pilar" (which I love). Excited to find more homes for this set of recycled glass stones.
I'm not sure how to shoot Shida to capture what I love about them, without hiring a model (seriously considering this...). The best of boho SoCal chic, with the push/pull of warm ochres and cool sage greens. Gemstones top to bottom? Nope, you'll find four glass beads included :)
Jadine (already sold, #sorrynotsorry!) I adore the color combination here, the warmest chartreusy green (garnet, believe or not) having a visual conversation with an equally warm peachy pink. Why not let the two hang out alone? Because they would just compete - both lighter tones, both very textured, both similarly sized. So we add a dark (not light), smooth (not textured), small (not medium) bead to the middle. Since the bottom is slightly larger than the top, you want to go with that color family, to give it even more weight. Otherwise, you're just making the fight worse (picture if I'd used a dark coral instead - doesn't resolve the tension).
Sadiya You've heard me go on and on about asymmetrically cut stones, so I'll spare you. You've heard the spiel about these ochres and sage-y blues too, so let's just move on to the next piece, agreeing that you understand how I feel about these :)
Summer Rose Many thanks to my Mom for helping me name these and Jadine. You'll see I'm bringing back the three-part earring, just like Shida at the start of this post. I like the movement this allows, plus the extra length, plus the reliability of wire rather than thread to achieve this effect. (Trust me, if I could figure out a reliable way to pull it off with thread, I'd do that too...) We'll see if this cream quartz / garnet combo resurfaces later, I'm a bit fascinated.
Spring Moss I can't let myself go into my local favorite bead shop anymore, unless I have a specific mission. No matter what, I will buy something. I allowed myself to go to stock up on some jump rings this week that are difficult to find anywhere else, and even with the single-minded purpose, I just, you know... got diverted... and picked up some blue quartz. Because they didn't have the angelite I wanted. None of this is relevant - except that I was looking for another set of moss quartz, since I love how the moss quartz worked out in this piece. No luck. The moral of this story is, if you like something I post, you should definitely get it while the getting's good - I work with a lot of suppliers and the local ones have unreliable inventory. Might never see a pair like this again!
Cheers!
Charity